The persistent use of line, gesture, and color continues to access many reoccurring threads in my work over the past thirty years.  I am interested in the connections that are revealed from a group of seemingly diverse but ultimately very related works of formal abstractions. Compositus I Compositus II Composites VIICompositus III Compositus XVI Compositus XI Compositus V Compositus VI Compositus VIII Compositus XCompositus XII Compositus XIII Compositus XIVCompositus XV